Russell Edson Papers

Russell Edson sat typing at a paper-strewn desk in front of a typewriter in a crowded little office space.

Russell Edson (December 12, 1928 – April 29, 2014) was an American poet, novelist, writer, and illustrator. His father, Gus Edson, was a cartoonist known for the comic strips The Gumps and Dondi. Edson attended the Art Students League in New York City as a teenager, then moved on to the New School for Social Research, Columbia University, and Black Mountain College.

Edson was best known for his surrealist prose poetry, which he began to publish in the 1950s, though he also wrote novels, short stories, music, and a play. He won a Guggenheim Fellowship in 1974, three National Endowment for the Arts Creative Writing Fellowships, and the 1989 Whiting Award. He was also an accomplished visual artist and a skilled letterpress printer.

A typed draft of "The Failure of a Boundary" with typed words struck out with typing-over, corrections to the poem made in pen and pencil, and pen and pencil doodles and notes in the margins.
Draft page of “The Failure of a Boundary.”
This proof page features four poems: The Toy Maker, Insanity, Towards Something Again, and The Insigne of Failure. Each poem has a little letterpress pring alongside it: a steepled building, a crescent moon with face, a human face, and three human figures atop each other with their palms held outwards.
Proof page from The Boundary.

Widely referred to as the “godfather of the prose poem in America,” Edson was prolific, publishing more than twenty books, many with his own illustrations, and some of which he printed himself under his Thing Press imprint. Edson’s other works gained wider distribution through the Wesleyan University Press poetry series and the commercial houses of New Directions and Harper and Row. His final book was See Jack (University of Pittsburgh Press, 2009).

The drafted cover features the title, A Stone is Nobody's: Fables & Drawings, with a line of penciled illustrations from cover-to-cover. Illustrations include chairs, a mermaid, a person drinking from a vase, a singing person seated on a stool, and a man with a small hat and anchor tattoo on his face.
Cover mock-up for A Stone Is Nobody’s.

Edson referred to his unique style of prose poems as “fables.” The poems are recognizable by their strange juxtapositions of animate and inanimate objects, in unlikely and fantastic scenarios. They read as absurd or philosophical tales, are short in length, and populated by nameless husbands, wives, children, farmers, animals, foodstuffs, machinery, body parts, vegetables, rocks, or any other imaginable thing.

A watercolor piece on a torn sheet of sketch paper featuring an outline of a man with mountains and trees in the background and a banana with two oranges in the foreground.

The Russell Edson Papers

The Russell Edson Papers document Edson’s entire writing life, from early efforts as a teenager through his long and productive publishing career. The collection includes more than a thousand published and unpublished poems, materials toward books, correspondence, original artwork, sketchbooks, scrapbooks, personal and professional materials, ephemera, and more.

Contact

Department
Special Collections, Special Collections, Preservation, and Digital Strategies
Name
Joel Minor
Job Title
Curator of Modern Lit Collection/Manuscripts
Phone Number
(314) 935-5413

Banner image credit: Photo of Russell Edson, circa 1960s, photographer unknown